Less Is More: Modern Minimalism and the Minimalist Ethos

Minimalism and Minimal art emerged during the 1960s in New York and Los Angeles, employing the interplay between positive and negative space, simplicity and function, and single or repeated geometric forms that lend an almost mathematical quality. Many fans of the minimalist movement, both then and now, assert that this lifestyle and aesthetic evoke spiritual and physical peace through an environment where less translates to more.

Be it Minimal art, design, or furniture, one should avoid misconstruing this simplicity as a bland void of color or lack of complexity. Striking lines arranged in criss-cross patterns and angular forms placed in precise sequences can create a strong visual impact, exuding force and energy. An illustrative example of the visual impact of bold simplicity can be found in Theo Van Doesburg’s painting “Arithmetic Composition,” which employs simple black squares starkly painted against a white background to create a three-dimensional effect on a two-dimensional surface. Similarly, artist and writer Donald Judd’s preference for art of simple design, clean, unmodulated surfaces, and bright colors is evident in his untitled works (1964-1966) of galvanized iron lacquered sculptures. Artworks like these, where the emphasis lies in the physical space occupied by the artwork, compel the viewer to take note of the arrangement and scale of forms. Similarly, minimalist and modern interior design embraces an approach that is free from excessive or unnecessary details, featuring functional form-focused furniture that takes on its own art-like quality.

An appealing offshoot of minimalism is the fusion of Japanese aesthetics and minimalism, resulting in clean lines, natural materials, texture and a restrained color palette. This fusion, termed “Japandi,” exudes a zen-like tranquility, where each piece serves a purpose while contributing to an overall sense of serenity.

This same minimalist modernism attitude in art, design, and furniture also can be adopted to a person’s fashion aesthetics. Clean lines, versatile tailored pieces, timeless shapes, prioritizing quality over multiple trending pieces, and embracing a more sustainable wardrobe are all part of the minimalist fashion philosophy. The central style rule is effortless, functional, yet elevated, mirroring the art and design it draws inspiration from.

If your interest lies in Minimalism or Modernism, you can explore the works of Cuban-born American artist Carmen Herrera. Her colorful geometric sculptures are currently displayed at Cheekwood Gardens/Nashville until August 27th. This series of sculptural works, initiated in the 1960s and titled “Estructuras,” pays homage to her earlier training as an architect.

Whether it’s in art, interior design, furniture, or fashion, the less-is-more philosophy opens a realm of curating a life devoid of mindless consumption. Embracing the minimalist ethos allows us to appreciate the artistry of the everyday, much like the pioneers of Minimalism did in the 1960s.